Q01of 10
What is the overall structure of 'Cuckoo Song' in terms of its central argument?
Q02of 10
In the poem, the 'cedar-palace hall' is offered as an alternative to what kind of setting?
Q03of 10
Which literary technique does H. D. primarily use to define the cuckoo's value throughout most of the poem?
Q04of 10
What is the speaker's tone when describing the nightingale's song?
Q05of 10
The oriole is described as 'filling with melody / from her fiery throat' in 'some island-orchard / in a purple sea.' What does this imagery primarily convey?
Q06of 10
In the stanza beginning 'Ah dear, ah gentle bird,' what does the imagery of 'crimson wool / and tinted woven stuff' suggest about the cuckoo's effect?
Q07of 10
Who is Calypso in the concluding section of the poem, and why is she significant to the poem's theme?
Q08of 10
The phrase 'not song, not wail, not hurt, / but just a call' characterizes the cuckoo's voice primarily as:
Q09of 10
H. D. was a leading Imagist poet. Which feature of 'Cuckoo Song' most clearly reflects Imagist principles?
Q10of 10
According to the poem, what specifically happens to Calypso's 'hope' by the time she hears the cuckoo?
0 / 10 answered