Q01of 10
What dominant structural feature organizes 'Castles in Spain' throughout the poem?
Q02of 10
In the final stanza, the speaker compares the past to 'a ruin overgrown / With flowers.' What does this image chiefly convey?
Q03of 10
Which historical figure does Longfellow invoke to suggest an atmosphere of fear and religious oppression?
Q04of 10
What is the primary theme of the poem as a whole?
Q05of 10
In the stanza describing Córdoba, what detail illustrates the layering of religious cultures in Spain?
Q06of 10
How does the tone shift between the eighth stanza ('Yet something sombre and severe') and the ninth stanza ('The softer Andalusian skies')?
Q07of 10
What is the effect of the repeated word 'White' at the opening of three consecutive lines in stanza seven ('White hamlets… White cities… White sunshine…')?
Q08of 10
Who is the speaker of this poem, and how does he characterize his relationship to Spain?
Q09of 10
In the stanza describing Granada, the phrase 'cynosure' most nearly means which of the following?
Q10of 10
In the stanza beginning 'The long, straight line of the high-way,' what activity do the peasants perform, and what does it reveal about the cultural landscape Longfellow depicts?
0 / 10 answered