Q01of 10
In lines 1–11, what is Cenci's primary frustration as he waits for Beatrice?
Q02of 10
Which formal feature best describes the verse form Shelley uses throughout this dramatic scene?
Q03of 10
Lucretia's warning that 'A man who walks like thee / Through crimes' each hour 'may stumble o'er a sudden grave' is best understood as what type of rhetorical move?
Q04of 10
When Cenci reflects 'For when I cursed my sons they died,' the tone is best characterized as
Q05of 10
The extended image in lines 51–54—'make his youth / The sepulchre of hope, where evil thoughts / Shall grow like weeds on a neglected tomb'—is an example of which literary technique?
Q06of 10
Beatrice's reported message—'I see the gulf / Of Hell between us two, which he may pass, / I will not'—most clearly characterizes her as
Q07of 10
In Cenci's kneeling prayer (lines 114–135), to what classical or biblical allusion does the image of Beatrice being 'speckled like a toad' and covered with 'leprous stains' most closely appeal?
Q08of 10
The stage direction '[KNEELING]' at line 114 is dramatically ironic primarily because
Q09of 10
In Cenci's closing soliloquy (lines 160–189), he compares himself to 'a fiend appointed to chastise / The offences of some unremembered world.' What does this self-conception reveal about his psychology?
Q10of 10
Throughout the scene, Lucretia functions structurally as
0 / 10 answered