Q01of 10
The epigraph from Michelangelo, translated roughly as 'Now my name is known, for good or ill, and the world knows I exist,' primarily serves what purpose in Whitman's preface?
Q02of 10
The Swedenborg passage argues that 'Angels are human forms, or men.' How does this idea most directly support Whitman's poetic philosophy?
Q03of 10
Carlyle's quote states that a nation needs 'an articulate voice' to 'speak forth melodiously.' In the context of this preface, who does Whitman implicitly cast in this role?
Q04of 10
The Robespierre quote, loosely translated, compares the poet's enemies' attacks to 'scratches on the shoulders of Hercules.' What tone does this establish?
Q05of 10
Which structural feature is most distinctive about 'A New Edition' compared to a traditional lyric poem?
Q06of 10
Swedenborg's description of heaven 'closing' upon the corporeal body and resting on it 'as on its base' uses what type of imagery?
Q07of 10
What is the primary thematic thread connecting all four epigraphs in this preface?
Q08of 10
The inclusion of quotes in Italian, Latin-rooted French, and English suggests Whitman is doing which of the following?
Q09of 10
In the Swedenborg passage, 'men in the Christian world' are described as being in 'gross ignorance.' What is the specific misconception Swedenborg identifies?
Q10of 10
By choosing Robespierre — a revolutionary political figure — as one of his epigraph sources, Whitman most likely intends to convey which association?
0 / 10 answered