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The Poet Index · Entry 1372

Eve L. Ewing
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Eve Louise Ewing was born in 1986 and grew up in the Logan Square neighborhood of Chicago, Illinois.

Editorial intro

Storgy editorial

Editorial intro

Eve L. Ewing constructed a sustained argument across poetry, sociology, visual art, and comics that the erasure of Black Chicago is structural rather than incidental. She effectively communicates this argument across various platforms, from scholarly articles to a Marvel series about a teenage superhero from the South Side.

She occupies a unique position where her poetry is taught alongside her academic work, and her academic work is cited alongside her journalism, without any of it seeming like a side project. Readers approaching *Electric Arches* expecting a straightforward debut collection discover a hybrid object, featuring prose poems, visual art, and speculative reimaginings of Black girlhood, all unified by a distinctly Chicago voice. Those looking at *1919* for documentary history experience the riot reflected through children's songs and institutional records. The consistent surprise is the range of tones Ewing encapsulates within an argument she maintains throughout.

Full poem text lives on Poetry Foundation and poets.org — we link directly.

Biographical record

About Eve L. Ewing

Eve Louise Ewing was born in 1986 and grew up in the Logan Square neighborhood of Chicago, Illinois. Her mother worked as a radio reporter and producer, while her father was an artist, creating a household that blended journalism, sound, and image in ways that later manifest in Ewing's own work. She attended Northside College Preparatory High School and participated in Young Chicago Authors, the city's longest-running youth literary organization. She earned an undergraduate degree with honors in English Language and Literature from the University of Chicago, concentrating on twentieth-century African-American literature, and then a Master of Arts in Teaching from Dominican University, which led her to teach middle school Language Arts in Chicago Public Schools. Ewing continued her education at Harvard, earning a Master of Education in Education Policy and Management in 2013, followed by a doctorate from the Harvard Graduate School of Education in 2016, where she served as editor and co-chair of the Harvard Educational Review.

Ewing's first book, *Electric Arches*, was published by Haymarket Books on September 12, 2017. The collection combines poetry, prose, and visual art, with Ewing stating that every piece is grounded in real events from her life. Publishers Weekly named it one of the most anticipated books of fall 2017, The Paris Review selected it as a staff pick, and it received the 2018 Alex Award from the Young Adult Library Services Association, the Chicago Review of Books 2017 poetry award, and the Poetry Society of America's Norma Farber First Book Award. The book also earned a place on NPR's Best Books of 2017 list and the Chicago Tribune's Top Ten Books of the Year.

Her second collection, *1919*, published in 2019, revolves around the stoning and drowning of Eugene Williams in Lake Michigan and the subsequent Chicago race riot.

Ewing incorporates excerpts from "The Negro in Chicago," a document commissioned by the city following the riots, using that historical text as a foundation for individual poems. The collection has been recognized by NPR, the Chicago Tribune, the Chicago Review of Books, O Magazine, and LitHub, among others. Together, the two collections highlight the themes of Ewing's poetry: the Black experience in Chicago, the violence of institutional neglect, the burden of official forgetting, and the nuanced reality of Black girlhood and community life on the South Side.

Ewing is also an active sociologist. Her academic book *Ghosts in the Schoolyard: Racism and School Closings on Chicago's South Side*, published by the University of Chicago Press in 2018, is based on her Harvard dissertation on school closures in Chicago's Bronzeville district. In it, she develops the concept of "institutional mourning" to describe the harm communities experience when their schools close. As of 2023, she is an Associate Professor in the Department of Race, Diaspora, and Indigeneity in the University of Chicago's Division of the Social Sciences. Her work extends further: she wrote Marvel's *Ironheart* series focused on Riri Williams, became the first Black female author of Marvel's *Black Panther* series in 2023, co-created the Emerging Poets Incubator and the Chicago Poetry Block Party, teaches with the Prison + Neighborhood Art Project at Stateville Maximum Security Prison, and co-founded the Echo Hotel poetry collective with Hanif Abdurraqib. She has also been a Pushcart Prize nominee and a finalist for the Pamet River Prize.

Reader questions

Frequently asked

What is Electric Arches about, and why does it include visual art?

*Electric Arches* draws on Ewing's own life to explore Black girlhood, Chicago's South Side, and the limitations imposed by systemic racism. She considers the entire book to be rooted in real incidents from her experience. The inclusion of visual art aligns with her practice as a visual artist — she isn't merely illustrating the poems but expanding them into a different medium, treating the book as an object with multiple surfaces.

What is 1919 and what historical event does it center on?

*1919* revolves around the stoning and drowning of Eugene Williams, a Black teenager, in Lake Michigan in 1919, and the race riot that erupted in Chicago shortly thereafter. Ewing employs excerpts from "The Negro in Chicago," a city-commissioned report produced after the riot, as epigraphs for individual poems, allowing official language to juxtapose with her own reconstruction of the violence and its erasure.

How does Ewing's academic work connect to her poetry?

The connection is direct. Both *Electric Arches* and *1919* address similar themes as her scholarship: the targeting of Black communities by institutional policy, the intentional erasure of Black history, and the specific geography of Chicago's South Side. Her academic book *Ghosts in the Schoolyard* introduces "institutional mourning" to describe the community harm resulting from school closures — a concept that also informs the emotional depth of her poems.

What awards has Ewing received for her poetry?

*Electric Arches* received the 2018 Alex Award from the Young Adult Library Services Association of the American Library Association, the Poetry Society of America's Norma Farber First Book Award, and the Chicago Review of Books 2017 poetry award. It also appeared on NPR's Best Books of 2017 and the Chicago Tribune's Top Ten Books of the Year. Ewing has been a Pushcart Prize nominee and a finalist for the Pamet River Prize.

What is her connection to Marvel Comics?

Ewing wrote Marvel's *Ironheart* series, which debuted in November 2018, featuring Riri Williams, a young Black female hero from Chicago. She has also contributed to *Ms. Marvel*, *Marvel Team-Up*, *Champions*, and *Monica Rambeau*. In 2023, she became the first Black female author of the *Black Panther* series, and in 2024, she took on writing for *Exceptional X-Men*.

What community work does Ewing do in Chicago?

Ewing co-created and oversees the Emerging Poets Incubator and the Chicago Poetry Block Party. She collaborates with the Prison + Neighborhood Art Project, which connects teaching artists and scholars to incarcerated men at Stateville Maximum Security Prison. She also co-founded the Echo Hotel poetry collective with poet Hanif Abdurraqib and serves on the board of MassLEAP, a Massachusetts nonprofit focused on youth development through spoken-word poetry.