The foreword by Sara Tantlinger echoes my thoughts on what a sublime talent LaRocca is, his prose is mesmeric, his poetic turns of phrase showcase his brilliance as a storyteller and in my opinion further cement Eric LaRocca as one of the most exciting voices in indie publishing. Introduction – Eric LaRocca takes time to
Well Read Beard reviews Sara Tantlinger’s ‘Cradleland of Parasites’ – a collection of plague poetry, perfect reading for the times we’re in… once you’ve watched it, go out and pick it up you won’t be disappointed! Don’t forget to subscribe to The Beard! Unlike many other Arts & Entertainment Magazines, STORGY is not Arts Council funded or
I’m not a huge fan of poetry, okay I’ve said it. I don’t know what it is, there’s something about the artform that I struggle with, it may have underlining issues with how this was dealt with at my secondary school and the bullying that took place in the classroom from my teacher and directed
Helen Ivory’s fifth collection from Bloodaxe, ‘The Anatomical Venus’ is a stark and possessing exhibition of female abuse throughout history. In these poems we witness women as ‘other’, she or her who is alienated for her body’s ability to birth and bleed, and objectified for her gender aesthetics. We find here the Venus, the doll,
Well I am a huge fan of Max Porter, his writing to me is always a joy to read as he has such a hold over the written word with his prose being quite poetic, with each word fighting for its right to be included in the storytelling, and the deftly constructed prose he offers
‘Inspired by notions of the animalistic, Humanagerie is a vivid exploration of the nebulous intersection between human and beast […] these thirty-two poems and thirteen short stories explore emergence and existence, survival and self-mythology, and the liminal hinterland between humanity and animality.’ Edited by Sarah Doyle and Allen Ashley, Humanagerie is a collection of quality –
Gaia Holmes’ third collection with Manchester’s ever-reliable Comma Press is a bittersweet gem. Writing mostly in a kind of disciplined free verse, Holmes runs her eye across a wealth of strange material, exploring the private dreams of pylons, the curious properties of sinkholes and how best to react when transforming into a sea horse. Yet
For his debut collection, In the Flesh, Adam O’Riordan demonstrated a leaning towards the past and a fluidity of form, both of which bent naturally to his rich, allusive style. As Andrew Motion writes in the blurb for this new volume, here is a poet with ‘tremendous delicacy of feeling and expression’, and so he
Well now, here’s a curio. Billed as a ‘perverse novel in verse’, Did you put the Weasels Out? is several things at once – the tragi-comic story of an Irish emigrant’s blossoming mid-life crisis, a re-imagining of the legend of Cú Chulainn and a formal experiment which begins as a series of Onegin sonnets and
The quality of the writing here announces itself from the start: Frances had waited…for the static to disperse from her daughter’s personality; the obscuring details of herself that got between her and other people and then, shortly after, a storm cloud poured into the shape of a girl. These are the kind of short stories
