There is much to be said for watching a film that revels in tense unpredictability. Far too often movies fall into the realm of the foreseeable. You know how it will end from the moment it begins [or a little longer into the film, but not by much]. Thankfully, Bad Times at the El Royale
The Cloverfield Paradox is an apt title for the third entry in this marketing experiment that masquerades as a franchise of coherently linked films; as the franchise itself stands at somewhat of a paradox. On one hand, it manages to be one of Hollywood’s more intriguing properties in terms of marketing, release, and the anthology-like
