For the majority of movie fans, Jaws is a total classic, though the same cannot be said for its sequel (and let’s not even get into the other two).
For me, Jaws 2 is half of a really interesting film. Before it settles into a maritime take on the slasher movie, with teens devoured by a Great White serial killer, the story focuses on a traumatised Chief Brody, still raw from his experience with the previous hungry visitor to Amity Island. When more people start to go missing in the waters of Amity, Brody immediately suspects another shark is responsible. However, despite his heroics in saving the community three years ago, Brody’s superiors are not so convinced. And fair enough, you might say. After all, in the real world, what are the chances? But this is Hollywood, the land of sequels, where anything is possible, so another shark it is. But before we reach that point, the film can almost be read as a psychological horror, where the danger may very well be only in Brody’s mind.
This is the direction I decided to take the story for my comic book ‘remake’ of Jaws 2, The Mayor of Shark City. The great thing about fan fiction is that anything can happen; the story is what you make it. So, in this sequel to Jaws we have Brody suffering from Post-Traumatic Shark Disorder, plagued by bad dreams, and visions of the people he couldn’t save. And I can explore ideas for Jaws 2 that never came to fruition, such as the economic failure of Amity’s tourism in the wake of the 1975 shark attacks, and even go deeper into Quint’s past and his complicated relationship to sharks, the war, and Japan.
In other words, I’ve got a lot of work to do, so I best get back to the drawing board. But until then I hope readers enjoy this first episode, and maybe even get inspired to make their own versions of the stories they love.
Matthew Blackwell
Matthew Blackwell writes copy by day and fiction by night. One makes him money, the other makes him happy. He currently lives in West Sussex.
Twitter – @eurogibbon


Available Now!
This is the tale of a town on the fringes of fear, of ordinary people and everyday objects transformed by terror and madness, a microcosm of the world where nothing is ever quite what it seems. This is a world where the unreal is real, where the familiar and friendly lure and deceive. On the outskirts of civilisation sits this solitary town. Home to the unhinged. Oblivion to outsiders.
Shallow Creek contains twenty-one original horror stories by a chilling cast of contemporary writers, including stories by Sarah Lotz, Richard Thomas, Adrian J Walker, and Aliya Whitely. Told through a series of interconnected narratives, Shallow Creek is an epic anthology that exposes the raw human emotion and heart-pounding thrills at the the genre’s core.
Shallow Creek Paperback
+
Set of Horror Bookmarks
+
Delivery
*
U.K. £14.99
U.S.A/CANADA £24.99
EUROPE £19.99
SHALLOW CREEK EBOOK
£2.99
You can also purchase a copy of EXIT EARTH below!
Twenty-four short stories, exclusive afterwords, interviews, artwork, and more.
From Trumpocalypse to Brexit Britain, brick by brick the walls are closing in. But don’t despair. Bulldoze the borders. Conquer freedom, not fear. EXIT EARTH explores all life – past, present, or future – on, or off – this beautiful, yet fragile, world of ours. Final embraces beneath a sky of flames. Tears of joy aboard a sinking ship. Laughter in a lonely land. Dystopian or utopian, realist or fantasy, horror or sci-fi, EXIT EARTH is yours to conquer.
EXIT EARTH includes the short stories of all fourteen finalists of the STORGY EXIT EARTH Short Story Competition, as judged by critically acclaimed author Diane Cook (Man vs. Nature) and additional stories by award winning authors M R Cary (The Girl With All The Gifts), Toby Litt (Corpsing), James Miller (Lost Boys), Courttia Newland (A Book of Blues), and David James Poissant (The Heaven of Animals), and exclusive artwork by Amie Dearlove, HarlotVonCharlotte, CrapPanther, and cover design by Rob Pearce.
Find out more about EXIT EARTH here…
Unlike many other Arts & Entertainment Magazines, STORGY is not Arts Council funded or subsidised by external grants or contributions. The content we provide takes a lot of time, money and hard work to produce, and relies on the talented authors we publish and the dedication of a devoted team of staff writers. If you enjoy reading our Magazine, help to secure our future and enable us to continue publishing the words of our writers. Please make a donation or subscribe to STORGY Magazine with a monthly fee of your choice. Your support, as always, continues to inspire.
Sign up to our mailing list and never miss a new short story.